'Groundhog Day' is revered as one greatest films of '90s, and to celebrate its upcoming twenty-first anniversary it's the perfect time to own a piece of the film's legacy. But we're not talking about a prop or something small. Nah, we're talking about the house where many of the key scenes were shot. It can now be yours for the low price of $985,000
So it has come to this: 2015 will see not only the 30th anniversary of 'Back to the Future,' but a stage musical adaptation that will premiere in London's West End with an eye towards a Broadway debut in 2016. This is no cheap knock-off either. This version of the enormously popular film has several of the original's key players heavily involved in the production.
The "Golden Raspberry" Razzie awards set out to do the opposite work of the Academy Awards and "honor" the year's worst films, and every year, they have plenty of material to work with. While 2013 may have been one of the best years for movies in recent memory, it was also home to enough deplorable junk to make this a fairly interesting (if not at all surprising) year for Razzies.
New releases have a habit of floundering in January, which tends to be one of Hollywood's biggest dumping grounds. Even this year's big January horror release, which is commonly a sure thing, floundered. What does tend to do well are the prestige pictures that opened late in the previous year (often in limited release) and finally expand in the new year, riding awards momentum to solid box office.
Of course, this is just a roundabout way of saying that Peter Berg's 'Lone Survivor' emerged from limited release this week to kick everyone's ass at the box office.
The weekend following a major holiday is always a little slow. The boost from vacationing moviegoers is gone, so everyone tends to take a major dip. Some films end up okay. Some die on the vine. This weekend saw two films weather the storm perfectly fine and one new release collapse on the starting line.
If there's one thing that we're reminded of a few times a year here at the Weekend Box Office Report, it's that films targeted at black audiences are always ignored by many mainstream movie websites ... until they open huge at the box office. 'The Best Man Holiday' is the latest film to prove that there's an entire group of moviegoers who aren't being given the films they obviously want to see, and hopefully its success will spur Hollywood into action, allowing for the production of more movies with black casts and filmmakers. Maybe. This is Hollywood, after all.
There was no question of whether or not 'Thor: The Dark World' was going to open at number one this weekend. Of course it was. The big question was whether it would get a post-'Avengers' bump, or if it would do similar business to its 2011 predecessor. Question answered: it got a bump and a pretty good one, too.
After months of boycott talk and constant controversy, the long in the works adaptation of Orson Scott Card's 'Ender's Game' opened at number one at the box office with decent but not spectacular numbers. It's a long road to profitability, but hey, this is a start.
For the third weekend in a row, 'Gravity' dominated the box office, taking no prisoners in its quest to become one of 2013's most deserving blockbusters. However, its tremendous success has been at the expense of a handful of other films, which have been crushed in Alfonso Cuaron's titanic wake.
It wouldn't be a proper episode of 'SNL' without a decent commercial parody and the latest episode offered one that is so bizarrely specific that it ends up being kind of perfect. It's an ad for the latest version of 24 Hour Energy Drink -- but it's made specifically for men who are dating actresses.
When a movie is sold as being the next incredible cinematic experience that will change the way we watch movies, expectations are huge. Audiences may scoff. It could all backfire. But Alfonso Cuaron's 'Gravity' lived up to the hype and audiences responded in kind, giving it the biggest opening ever for a non-sequel October release.
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